Views in 2002 | |||
The Homeless 2/10 | Tsukiji Revisited 1/12 | A Distant Call 1/9 | Battle Royal 1/2 |
Saturday, January 12, 2002
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Tsukiji is a town which is most famous for its wholesale market of all kinds of food, the hub of Tokyo's (and perhaps Japan's) food business. It is, accordingly, a spot of tourists' attraction. Visitors particularly from abroad show interests in the early morning bidding. Shops around the main market are also attracting both professional and non-professional buyers throughout the year. Close to the Ginza, Tsukiji shows a contrastive aspect of Tokyo from its sophisticated sibling.
In the midst of the bustling town, there is National Cancer Center. Its brand new building armed with the latest high-tech facilities demonstrates an overwhelming appearance. Looking up at the spectacular tower, I stood still for a moment with my eyes and mouth open. It was not the building I had know before. Exactly six years ago, I frequented National Cancer Center Hospital. At that time my heart was occupied with my father dying of lung cancer. The dreary old building has disappeared from my eyesight! Where has it gone? The one I remember with suffocating pain. The first question a young doctor asked me was if I have any relatives in my family who have suffered (have been suffering) from cancer. My answer was brief: "My father and two of my uncles." Then I added, "My father was thrown out of this hospital for there was nothing they could do for him as the terminal care. He died in a hospice." He said, "Oh, did he?" without much expression. Before letting me see his boss, he passed me a document, which is requiring me for my consent to offer my physical data and organic tissues extracted if they give me any kind of testing or operation. He asked me for my cooperation "for the future and the promotion of cancer studies." It was a strange request because I visited National Cancer Center only for thorough checkups at this moment; nobody has told me I have cancer yet. It seems anyone who goes through the gate of this enormous hospital is regarded as their useful samples. I was not very comfortable with the document. The doctor told me in a hurry that I have the right to decline for sure. I received the document anyway. Six years ago, I never expected myself to visit this hospital as a patient-to-be. I was sharing the agony of my father, but I thought I was free from the disease. Yes, it was true I was simply shocked when an ophthalmologist in a local clinic advised me to go and get the diagnosis of my eye illness from a truly professional doctor in National Cancer Center. The name of the hospital was alarming. Cancer as well as AIDS has a special magic to one's emotion. I showed a sign of protest and terror very naively. The ophthalmologist laughed at my panic and said, "Don't worry. Be rational, please. Isn't it reasonable to see someone who has abundant experiences in complicated cases? You should not hang about any longer. Find out what the problem is. I'll call him to make an appointment for you right here. All right?" I was unable to say, "No, thank you." Thus, I was sent to Cancer Center. I've already learned as the novice of a patient, the first visit won't make clear anything at all. As I had guessed, all I did was just to go up and down floors to make appointments of several kinds of checkups. One will be in the next week, another in the two next weeks and one more in three weeks later etc. Including the waiting time, I spent half a day in the enormous hospital building spick and span. At the beginning I was full of tension, and then gradually I started to lose the strain and was involved in the routine of hospitals. It's like I've learned the rules and language of the hospital world. I need not to be self-conscious. My identification there is just a patient. No more than that or less. Nobody pays attention to what I am doing and who I am. I am supposed to get on the train going systematically in the organization. I should be alert, however, where and when to ring the bell for emergency. I still reserve the right to get out of it if necessary. (I've already quitted one hospital without any excuse. They were incapable of giving me any significant help. I wasted time and energy with them.) The repetition of checkups, collection of data, analysis, and diagnosis will continue. It's a long way. I'm fed up with them. All I can do is to watch what's going on inside of the medical world. I'll observe the reality of the authoritative hospital, while I watch myself. Aging, diseases, and death are what human beings can never escape from. As long as I live, I'll write on what I experience. Let me try it anyway. In the labyrinth, I had a difficulty in finding the escalator/elevator to go upstairs. I asked a lady in white the way. She pointed a large door signed "staff only." "Here is the entrance into elevator room which I always use to go upstairs." Smiling, I thanked her and went into the space. Nobody told me to get out of it for I am just a patient. I pretended to be one of the staff standing straight with my head up. My fear disappeared. Why should I act awkwardly for being a patient? No. The establishment can never terrify me. The name of the disease can either. National Cancer Center is there to serve individual patients with innumerable lives and hearts. Yes, I am one of the nameless patients full of proud and self-respect no matter what my real trouble may be. Tsukiji revisited reminded me of my fundamental identity. Fear no more.
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Monday, December 24, 2001
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One day I visited Ms Crayon House in Omotesando, Tokyo. This is basically a bookstore of/for children and women. They sell chemical-free cosmetics, goods made of natural materials, and organic foods as well as various kinds of books.
It does not mean they exclude men and adults but they invite everybody who are interested in feminism and minorities. The store fits in a corner of the fashionable town.
The main purpose of my visit was to see the photos of Afgan Children and Women. They used the staircase for the exhibition. It was a humble and expressive event. I went to Ms Crayon House with my students as a part of our course activities of "Women and Today's World." Liberated from the square space of a classroom, students looked excited. So was I. We were all strongly moved by the works of a female photographer, Kawasaki Keiko. Among more than 100 panels, one of the most striking one to me was a photo of a teen-age girl who is working in the heated field making bricks. She wears a tattered dress and is barefoot. She stands alone beside a bucket with her arms crissed in front of her thin chest. Her messy curly hair is surrounding her slim face. She looks at vacancy in weariness. There is no particular expression in her face but a sort of equanimty. I believe she is a low teen, no older than fourteen years old. But she looks truly "feminine." Her shape has elegance. Her face gives strength even. So young as she is, she evidently knows what it is to be a woman. The girl has not reached the age of wearing the burqa. She is forced to live in a refugee camp in Pakistan. Far away from home, her family lives a life of the most opressed and deprived. In the photo she follows her destiny obediently. Under the burden, however, she shows the beauty of those who still maintain human decency and gracefulness, which she might have inherited from her elders. I could not leave the place for a long time. She is wordless; yet, the barefooted Afgan girl stands on the earth and asserts her existence to the world. Look, nobody can deprive her of her life. Look, her life is of her own. Nobody can touch her. Freedom is strongly connected with dignity. I think I saw the girl's selfrespect. She is saying "I belong to nobody." The image of an Afgan girl led me to visit the website of Revolutionary Association of the Women of Afghanistan (RAWA). It is a remarkably informative site. I've just started reading a part of the enormous documents. It is truly a rich archive of the unknown world. Women sending message from the site give me the chance to look back at myself. "The unposessed and the deprived" people are strong. Facing them, I am obliged to keep silence for the next step to take. At least wordiness is of no use.
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Friday, November 16, 2001
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Among many photos of men with their heads wrapped up in long turbans, only a few of women's mostly in burkas, the long cover cloth with a small window-like mesh hole around eyes, are found in newspapers informing us of the situations in Afganistan nowadays. On the day when it was reported that Northern Alliance dispelled The Taliban out of Kabul, a photo of a shyly beaming woman without burka was on the front page in colors. It was demonstrative as if this photo is the symbol of liberation. It is ture she looks dubious but expecting freedom to come. Her forehead still shows deep lines of agony; yet, her eyes are bright under the clear eyebrows. I was astoshined to find the remarkable beauty of the Afgan woman under burka.
In a different photo two women are laughing openly. The caption writes they are celebrating the liberation from burkas which were forced by The Taliban for more than five years. Another photo shows a female newscaster broadcasting after a long silence. It seems the ice has started thawing suddenly as if the war in Afganistan is almost over. I hope it is not a momentry illusion. In fact nobody knows what will become of this new type of a war in which so-called "terrorists" are the target of the United States. I've been wondering where have all women old and young are gone. Under burkas, no faces of women were witnessed. And where are children now? Accoriding to the information provided by Refugees International, there are estimated 140,000 "visible" (officially registered) refugees in Pakistan and 1350,000 "invisible (unauthorized)" ones who have recently fled from their home in Afganistan and corssed the border to Pakistan. The world without women and children is not alive. And (wo)men and children without home are most painful particularly in this and the coming seasons. Where emotions and feelings are oppressed, there is no life. Who has killed the daily life of the country? Traditions, customs, and habits fostered by the long history could never be vanished by wars of modern times so easily. I belive women will continue to maintain them by all means under any circumstances. Still they need help, which is the gravest task that the rest of the world owes. Nobody could interefere with them against their own will. I don't mean all women should become the same but they should build lives of various kinds in their own ways. Nobody could deny their respective unique cultures. Only tortures should be distinguished from cultures. Where they are free from violence, women can flourish. Let men come back from outward and inward "wars" to them. Smiling women are beautiful. Smiles with dignity and decency are what many of us, the Japanese women, seem to have lost in our busy life. We are also to recover the real smiles of love. Genuine love of life and people. Inspired by the small photos in newspapers, my students and I decided go and see a photo exhibition of Afgan Women and Children which will be held in Tokyo very soon. I'm sure we will meet more beauty there.
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I received an e-mail from one of my keypals. He lives in his bed for so many years. He's a poet. Recently he was hospitalized for sudden illness. He could hardly watch TV, listen to the radio, read newspapers, not to mention using his computer. According to him, however, life like this being away from all these everyday "equipments" was not so bad. I was strongly impressed with his state of mind. I wonder how he's won peace in such hardships. The last line of his mail reads, "Looking forward to finding your 3 Lines a Day to be updated soon." I was ashamed of myself. How can I indulge myself in my personal pains endlessly? Life goes on no matter what may happen.
I still keep 3 Lines a Day closed for a while; instead, I open a new page named "Views In and Out" in English and in Japanese. This is a challenge to write irregularly and in unlimited length. Every article won't be so long as to be called "an essay," but will be just a short comment. I will release whatever is in my heart and mind. It will be just shapeless. The title indicates that I will write the views I see inside of myself and outside as well.
People write because they cannot help writing. That's the only reason for writing. Art of writing will follow the willingness. Nothing can restrict the energy whether it is a negative one or a postitive one. I am grateful to my keypal for giving me the courage to open up the new page. Until I can go back to my old 3 Lines a Day, I will write here. I hope he will find this page somehow.
I know writing can give joy to writers first of all. I appreciate the existence of readers. I sincerely hope the web will remain the place for free writing for anybody. Cyber terrorism and censorshop must be stopped by all means. By writing only, we can send our voice into the world. Let me write.
Saturday, October 6, 2001
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